Summer
dawn. The sun had about risen and Curtiss pushed back the fire
door and emerged on the roof. He breathed deeply and happily,
the brightening sun warm on his face. He drank in the morning
sun, and it bathed his strong black features until his face shone
like copper.
Curtiss had the most
magnificent coop in Harlem. Built and added to over the years,
it was more like a miniature pagoda than a coop. Curt loved these
moments alone before he flew the birds. The coop stood in a corner
of the roof. It was red and gold, and shone quietly, the birds
within cooing and rustling as they awoke, preening and stretching.
He would prolong these
moments as long as possible. Once the birds were released, they
would fly and whirl: so many specks of pepper
in a shifting pattern that always seemed to be on the verge of
spelling something. The whole city could enjoy them. But for now,
they were only his. The plastiscreen reflected the pink early
morning light, and Curtiss wanted to sing; he was bursting with
quiet joy and pride.
Below, on Lenox Avenue,
a mechisweeper was making its automated rounds past the empty,
abandoned buildings across the street. Curtiss half watched as
it stopped before an obstacle. He imagined he could hear computers
chattering as the sweeper analyzed the obstruction. The night
before, a car had been burned, and now there was a heap of melted
hardened plastic at the curb. The sweeper almost never erred.
A cold light swept the street, shone on the plastic mess, and
dissolved it. Curtiss was unimpressed. He watched as the big brooms
began again to rotate, and the sweeper lurched off into the next
block.
He had once wondered
about the cost of those mechisweepers, but eduvision had compared
the operation with the simple selection of a floor by an elevator.
The whole thing had been made to seem so practical and uncomplicated.
A narrator had suggested that it was vastly more efficient to
automate wherever possible, rather than hire and maintain human
operators.
Curtiss shrugged and
walked to the coop. He spoke to the birds. "What's the difference?
Life is good, we all eat, hey?"
The birds knew their
time was coming. They finished primping and hopped about with
quick, jerky movements. He unlatched a few doors, and they began
jumping to their little exit ledge, looking around, and then flying
off. Curtiss felt a touch of envy. The pigeons would go where
they wanted, see and be seen by anyone, while he waited on the
roof until it was time to eat. All there was for him to do was
eat, sleep, and tinker with his coop.
No one went downtown
anymore. Of course, some people were reclaimed when they interfered
with the operation of a city machine, but they never returned,
and over the years, the curiosity had finally dissipated. It didn't
seem strange to anyone that there was no curiosity. All needs
were met. Everyone was fed and clothed housing was adequate. The
people had become complacent.
Curtiss tilted his
head back and watched as the birds formed up, whirling and diving
above him until they drifted away, an airy perpetually breaking
wave, constantly forming and reforming, hypnotically growing smaller.
They called this roof
where Curtiss spent his days, "Pigeon City of 112th Street."
He sighed and went to the toolbox. There was never a question
of not having enough materials. The super filed a monthly requisition,
and it was easy to get him to include a pint can of metallic gold
paint or a few yards of plastiscreen.
Everyone knew the computers
downtown kept track, but no one minded as long as all needs and
most wants were satisfied.
Curtiss rubbed his
eyes and selected a small brush. He spread some paper and began
to paint. The computers encouraged everyone to have a hobby. No
requisition for a hobby was denied. The fact that the computers
kept track was confirmed by their handling of Allen, the throwback,
the dissident, the exception who proved the rule of general content.
The sun was up now.
Curtiss took off his shirt and draped it on the knob of the fire
door. It was warm, it was good. He hummed softly as he painted.
The sun baked his muscles as he stroked the plastiwood. Life was
easy, so sweet. Eduvision said the ghetto represented man's first
arrival in Utopia.
Allen cropped up again
in Curtiss' head. There was something righteous in the way Allen
had complained when he had been cut off by the computers. There
was data assembled on Allen, just as there was data assembled
on everyone else, but Allen had requisitioned dynamite.
It was a joke. Under
"reason" Allen had written, "hobby." He had
been given the explosive, but his subsequent requests were turned
down. Allen had even been mentioned on eduvision. He was a local
star, a source of real entertainment, like Curtiss' pigeons.
The people knew how
Allen felt. Allen hated. As a child in the street, he had lost
his foot. It had happened when he played with a mechisweeper.
It was all right to climb on back and go for a little ride, but
to obstruct it, to scream at it and taunt it as Allen had was
lunacy. When the sweeper's computer had elected to override interference
due to Allen's antics, and he had seen that he would be ignored,
Allen had dashed in front, trotted backwards, laughed and shouted.
Then he had tripped
and fallen . . .
It was time to eat.
Curtiss carefully set his brush in thinner and capped the paint.
The sky was blue and cloudless. Soon it would be fall. Impossible
beauty, peace and happiness were all around him. He strode to
the fire door and into the dank tenement on which he played and
dreamed.
Click
HERE for Part II
|